Sarah Hirschman, “There There There: Antanaclasis vs. the Recursive Loop,” Thresholds: Repeat (MIT SA+P), forthcoming 2018.

Sarah Hirschman, “‘Improv Architecture – the Harold as Feedback’s Foil,” Inflection: Feedback (Journal of the Melbourne School of Design), forthcoming 2018.

Sarah Hirschman, “In Defense of Architecture’s Public Domain,” Plat Journal: Sharing (Rice), forthcoming 2018.

Sarah Hirschman, “Sufficient Originality: The Legal Contours of Creativity in Architecture” in Ana Miljacki & Amanda Reeser Lawrence, eds., Terms of Appropriation. New York: Routledge, 2017. (print)

Sarah Hirschman, “Columbus/Columbus,” The Avery Review, Iss. 28, Dec. 2017. (web)

Sarah Hirschman, “Intellectual Property,” in OfficeUS Manual. Lars Müller Publishers, 2017. (print)

Sarah Hirschman, “Legalizing Architecture: How Congress Defined the Discipline,” Future Anterior, Vol. 12, Iss. 1, July 2015. (print)

Sarah Hirschman, “Copyright’s Favorite Yardstick,” Clog: Guggenheim. September 2015. (print)

Sarah Hirschman, ed. Testing to Failure. Cambridge: SA+P Press, 2011. (print)

Sarah Hirschman, “Biobank for America,” Thresholds 39: Inertia. Cambridge: SA+P Press, 2011. (print)

Sarah Hirschman, ed. Thresholds 37: Sex. Cambridge: SA+P Press, 2010. (print)

MAS Context published Project_Rorschach
The Guardian on Un/Fair Use Event @ Center for Architecture
Abitare on Un/Fair Use @ Center for Architecture
Architect Magazine on Un/Fair Use @ Center for Architecture (also in print!)
Wired Design on Un/Fair Use @ Center for Architecture
Portland Press Herald on Fair Use @ MECA/ICA
Dwell on Project_Rorschach @ BSA Space