“Defining, to Defend, Architecture’s Public Domain,” Log 54 Winter/Spring 2022.

“Architectural Copyright Overstep Keeps the Chrysler Building From Appearing in Marvel’s Spider-Man: Miles Morales,” Medium, December 2020.

“There There There: Antanaclasis vs. the Rubber Stamp,” Thresholds 47: Repeat (MIT SA+P), 2019.

“Being/Being Funny,” CLOG: AI. November 2018

“Improv Architecture – the Harold as Feedback’s Foil,” Inflection: Feedback (Journal of the Melbourne School of Design), 2018.

“In Defense of Architecture’s Public Domain,” Plat Journal: Sharing (Rice), 2018.

“Sufficient Originality: The Legal Contours of Creativity in Architecture” in Ana Miljacki & Amanda Reeser Lawrence, eds., Terms of Appropriation. New York: Routledge, 2017.

“Columbus/Columbus,” The Avery Review, Iss. 28, Dec. 2017.

“Intellectual Property,” in OfficeUS Manual. Lars Müller Publishers, 2017.

“Legalizing Architecture: How Congress Defined the Discipline,” Future Anterior, Vol. 12, Iss. 1, July 2015.

“Copyright’s Favorite Yardstick,” CLOG: Guggenheim. September 2015.

“Biobank for America,” Thresholds 39: Inertia. Cambridge: SA+P Press, 2011.

Testing to Failure. Cambridge: SA+P Press, 2011. (editor)

Thresholds 37: Sex. Cambridge: SA+P Press, 2010. (editor)

Presentations:

“Sarah Hirschman x Ana Miljački,” conversation on pedagogy and experimentation in Architectural (De)Schooling in the Age of Quarantine series presented online by MARCH School, Moscow.

“Results Were Mixed: Improvisational Comedy in the Collaborative Studio,” 2019 ACSA Fall Conference - “Less Talk / More Action,” Palo Alto, CA. September 2019.  

“Defining so as to Defend Architecture’s Public Domain,” Annual Conference of the Society of Architectural Historians, Providence, RI. April 2019.

“Punning as Process,” 2018 ACSA Fall Conference - “Play,” Milwaukee, WI. October 2018. 

“Paranomasiac,” 2018 Baumer Lecture Series, Knowlton School of Architecture, The Ohio State University. Columbus, OH. April 13, 2018.